Creativity Lives Here . The Years After the Great Depression

Madison Rug Shop, photo from NC Digital Archives

Madison Rug Shop, photo from NC Digital Archives

While researching for a new tour that was originally planned to start last week (Creativity Lives Here, A Walking Tour of Art & Craft History Through Asheville & Western NC) I’ve been reading much about the early days of Western NC. There are many interesting accounts of early makers - here’s one from my home county.

The Great Depression took place from October 29, 1929 to 1941.

We know that during this time life in our nation was very hard.  Jobs were lost and many people had zero income.  We also know people pulled together.  Communities faced challenges and shifted their lives to overcome situations as best they could.

In Western NC an industry arose that brought much needed jobs to communities in Madison County.  You may think I’m referring to farming or construction - no, I’m talking about hooked rug making. 

Rugs made in Madison County, NC were sold all over the eastern US.  Stores in Asheville, High Point and Greensboro, NC, Washington DC, New York, and roadside stands set up in PA, OH, KY, WV and MO were outlets for these hooked rugs.  The colorful patterns were both simple or very elaborate.  Some were floral, some geometric and others featured animals - any pattern that could be drawn could be hooked as a rug.

Hundred of individuals were involved in all aspects, from the production to the selling of rugs.   Most workers were women but also some were young men in their late teens to early twenties.  Tasks included: constructing looms and tools, drawing the original designs on burlap backgrounds, dying fabrics, cutting strings of yarn or strips of fabric, punching the stripped cloth into the background, clipping, trimming, hemming, pressing, collecting finished rugs from homes, managing orders and paying workers, driving the finished rugs to market, or setting up roadside stands and selling.

The Madison Rug Shop began in 1930 and operated until 1942.  It was founded by Jacob Franklin (Jake) Buckner and operated by himself, his daughters and other family members.

Extensive research was done on the Madison Rug Shop (as well as the whole rug making community) by Pauline Cheek, an instructor at Mars Hill University.  Mrs Cheek interviewed over 100 people during a 20 year time period beginning in 1975, and her research is shared in Robert Brunk’s volume 1 of May We All Remember Well: A Journal of the History & Cultures of Western North Carolina.

Certainly Buckner’s shop wasn’t the first place to make or sell hooked rugs.  The knowledge is old, and women in the mountains often made household items rather than buying them from a store.  It was the organization, and the transport and dispersing supplies to the community of home workers that Buckner was able to accomplish.   He was previously the owner of a country store, and was connected to outlets to purchase and obtain the supplies needed; in addition he knew the community and had neighbors and family to employ.  

The Madison Rug Shop mixed the dyes and dyed the cloth, oversaw the dispersement of rug orders and collected finished rugs to ship out.  Other individuals in Madison (and also in neighboring Yancey County) had overlapping home rug production.  Some people worked for Buckner while also selling rugs themselves to stores in Asheville or Johnson City TN, or they traded rugs for other needed household goods.

All in all it was a very successful community effort, providing income and a way to get through a tough time.  Cheek’s interviews reported families credited rug making income as the means to pay the mortgage and utility bills, buy a home or land, send children to college and more. In the early 1940’s the rug making cottage industry declined as more imported rugs became available.

Learn more and read the full interviews in May We All Remember Well. vol 1 by Robert S. Brunk.

As a native of WNC I’ve grown up with, and known creative people all of my life.  In my childhood I learned to sew from my Grandmother (Delda Buckner Ponder).  She was patient and encouraging and I loved learning from her.  Later when I was a freshman in college one of my instructors, Mrs Pauline Cheek, assigned us a research project to report on family traditions.  My grandmother and I made a full size quilt together that semester.  Some fifteen years later the book ‘May We All Remember Well’ was published.  It was thrilling to read the expose my former instructor wrote which highlighted my home community and my grandmothers’ family during those years of hardship in our nation.

Art Connections Is Shifting Focus And Here’s Why

photo credit: Charley Akers Photography

photo credit: Charley Akers Photography

We know many artists live in Western NC.  This area is nationally known as a hub of art and fine craft. 

But do locals or new homeowners buy art for their homes or businesses?

Yes! It’s so wonderful when locals (both old and new) find a connection to the artist community.  I even know some newcomers who have moved here because of the wealth of art and fine craft available in the region. 

However, others may not know how to connect and find the art that interests them.  There are truly hundreds of talented professional artists in Western NC. 

So how do you save time, make informed choices and learn more about this creative community?  By working with me at Art Connections.

And this is why Art Connections is shifting its focus to provide art-consulting services.  With my background in the arts, it’s important to me to advocate for our regional arts community.  This is, and always has been, my lifelong community!

Going forward, my purpose for Art Connections is to help people find and purchase handmade regional art for their home or business.  The process will also connect them to the current day arts community and will introduce them to the rich Western NC craft heritage and culture. 

I will still provide tours, as this is an important part of Art Connections and goes hand-in-hand with making area artists known.

Art adds joy and enriches our everyday lives and surrounds us with objects we desire, that are made with love and skill.  Art connects us to our shared experiences and to our history.  Buying art locally also adds to our network of contacts and friends and helps our local economy.  Overall, art makes our living and workspaces more beautiful and unique, while adding personality and warmth to our indoor or outdoor spaces.

Would you tell your friends and neighbors about this service?  And please refer new homeowners you meet to me for art consulting.  As you know, I’m a professional but not high pressure!  My goal is for new people coming to this area to feel welcome.  Thank you for your continued support.

What does an art juror do? a few recent experiences:

Catalog for the American Assoc. of Woodturners, 2019 Symposium Member Exhibition

Catalog for the American Assoc. of Woodturners, 2019 Symposium Member Exhibition

Over my career as a gallery manager, and decision maker choosing artwork for inclusion in exhibitions, I’ve had multiple opportunities to judge art events (regionally and nationally).  In 2019 three opportunities came my way, and I wanted to share some of this experience with you.  Hopefully you’ll glean  information on how the process works, and a better understanding of what is required of the artist for your enjoyment as a viewer.

In late June the Upstairs ArtSpace gallery opened an exhibition which I curated and titled “Show Me Your I.D.”  The exhibition included 16 Western NC artists each displaying one artwork that portrayed or explained a part of their identity as an artist.  Many of the artists I invited are those Art Connections offers as part of studio tours, and some were artists of which I personally knew more about their influences - I knew they articulated that story in their work.  One of the goals when curating is to have variety in size, scale and price point, with enough different art mediums to make the exhibit interesting to a broad range of people, while ultimately looking good in the display space you are working with. 

In early July the American Association of Woodturners had their annual member symposium in Raleigh, NC. I was one of three jurors who selected wood sculpture for the member pop-up exhibition entitled “Continuum”.  This process happened over the spring with an online jury process, and phone conference calls to discuss the final selections. The three of us jurors then traveled to Raleigh, met and viewed the exhibition to agree on the award winners from the group of selected works.  Jurying artwork online is common, and it’s how most festivals and art shows have artists submit for consideration.  The festival staff, or a hired ‘juror’ or team of jurors then review all the online images and narrow down their choices based on professionalism, quality, craftsmanship, marketability, depth of variety, what the booth display looks like (for an art show), and if the art actually does relate well to the theme (in the case of an exhibition).  It’s important to have high quality images to view - and it’s very important for the juror to be versed in techniques used to be able to recognize high (or low) skill level.

Also, in early July, the Swannanoa Valley Fine Arts League opened an annual member show for which I viewed all submissions in person, and selected the artwork for inclusion.  This job also included selecting the top prize winners for monetary awards. While seeing all the submissions in person is best, it can be a bit overwhelming to make all the decisions in just a few hours of allotted time.  In this situation (and every situation), quality is the first item on the check list; also appropriate use of the materials; appropriate finishing/framing for paintings; the functionality (if the end use is to be functional); and if the works are original to the artist (not a copycat look).  It’s very important to give constructive feedback to any artists not selected for encouragement and honest feedback.

To review: a curator or juror (depending on the situation and event) looks for: quality and craftsmanship; aesthetic appeal; originality of the artwork; if the art fits the theme; if the booth display is attractive (and safe) or if the presentation of the art is thought through; professionalism of the submission is a factor as well.

Normally gallery visitors and art festival attendees are focusing on the art, hopefully they also realize a lot of work goes into the selection and presentation of the artwork as well.

Finally, how do you choose artwork and handmade furnishings for your home - or for your workplace? I’d be glad to help. Utilize my 30+ years in the business to help you make art choices you’ll love!

Recap: September Summer of Glass Tour

Getting a glass blowing lesson at the North Carolina Glass Center

Getting a glass blowing lesson at the North Carolina Glass Center

I’ve been mentioning the Summer of Glass (SoG) tours all year in e-newsletters, and on the website – did you consider coming?

Here are some rough notes…they’ll give you the gist of the experience

Day 1: glass demonstrations; history of studio glass and how it has evolved since the 1960’s when it moved out of the factory setting into educational centers & artists studios; we saw the filmed interviews of regional, first generation studio glass artists; had a wonderful lunch; a glass demonstration of a custom ordered piece; viewed glass art in gallery settings – saw local, national and international glass art, all interesting and some awe inspiring in detail!  The first day concluded with the group going on their own to see the night viewing of Chihuly at Biltmore.

Day 2: a drive to Burnsville, just over an hour from AVL, visited 4 studios w/6 professional glass artists.  Each highly skilled and interesting to hear from, we enjoyed seeing and hearing as they explained their techniques and showed their glass art to us; beautiful countryside; loved seeing the clear flowing river and surrounding mountains; bag lunch from Well-Bred.  We talked and laughed and explored together. 

Day 3: downtown Asheville - brunch at our host location, Blue Spiral 1 Gallery.  A visiting artist joined us and he shared his art journey, telling of the influential people and events that brought him to the place he is now creating sculptural, figurative glass. We cheered on our tour participants as they tried their hand at making a glass ornament or paperweight at the NC Glass Center!  Awesome job everyone!  Then back to Biltmore to see Chihuly in the day.   

Conclusion: yes!  You should come see glass art in WNC/Asheville.

Visiting Betsy Meyer

Bold New World 

Bold New World 

Going on a recent tour to see fiber artist Betsy Meyer was a wonderful chance to be in her lovely home and enjoy art.  We were invited in to see her studio, located in an efficient small room just off the dining area. Betsy showed us some recently completed pieces, and we loved the chance to see what she presently had on the loom. 

She shared some of the journey that brought her to making the SAORI style weaving that she so enjoys.  We were invited to explore her home to see all the artwork on the walls.  It was obvious that Betsy loves the freedom that SAORI weaving embodies. This freedom from constraint is what captured our imagination when we looked closely at Betsy’s work.  She introduces texture, color, pattern breaks and all types of assorted fiber materials, together working harmoniously as if they were a narrative told by Betsy.

Little Bits (Close Up) slider_copy.jpg

Thinking back on the visit – the aspect of being in someone’s home seeing art reminded me of growing up and staying with my Grandmother while Mom & Dad worked.  My Grandmother loved to visit people, and she didn’t drive, so one of my uncles would be our chauffer and off we’d go.  It was nice to spend a little time with family and friends – you’d catch up on their lives and see what ‘work’ they were doing around the house.  Most often it meant seeing the garden or the flowers and potted plants around the porch.  It was just a pleasant thing to do.  Nowadays we feel we have to be invited because we don’t usually feel comfortable dropping in on people.

Please consider this your invitation.  On our tours we’ll spend time with artists, sometimes in their homes, or sometimes in their separate studio spaces.  It’s a chance to visit and see new works of art just completed – and others in the process. 

Workinprogress2.jpg

Maybe you’ll discover the perfect piece for a spot in your home – or for a gift you wanted to find.  Or, you might just hear a tidbit of information that brightens your day, or see a lovely handcrafted item that brings you joy.

Visiting Betsy brought back that feeling of seeing family and sharing laughter.  We were inspired by her journey and the passion she has for her art. 

So, come on  - let’s take an art tour!

Some year to date highlights

Seeing glass art with the UNC-TV film crew and tour participants

Seeing glass art with the UNC-TV film crew and tour participants

It's been an exciting first half of the year!  Some of the news I haven't shared with you includes:

In April of this year I was given an Honorary Membership into the Southern Highland Craft Guild.  It was in 1988 that I was first a staffer in the craft shop at the Folk Art Center, and ever since I have had opportunities to promote, work with and become friends with those in this organization.  It's been a pleasure to work in the craft industry alongside the Guild for the past 30 years.

My 'story' was featured in WNC Woman magazine in June of this year! Page 54-55.

July - the UNC-TV segment that I hope you'll enjoy seeing!

Featured Craft Advocates

Frances Goodrich, founder of Allanstand Cottage Industries, 1890's

Frances Goodrich, founder of Allanstand Cottage Industries, 1890's

Since May is the month for Mothers Day it occurred to me that we have some pretty amazing women, "our Craft Mom's" (actually more like - great, great grandmothers) in our craft history here in Western NC! Our craft history traces back to these women (and several other) advocates whose legacy is still alive through the organizations and schools they founded.

Topping the list would have to be Frances L Goodrich, the teacher and advocate for handicraft going back to the 1890's.  She established Allanstand Cottage Industries to market woven goods, baskets, chairs, pottery, etc. made here in the Western NC region.  She moved Allanstand into Asheville in 1908 making it Asheville's first craft shop.  Allanstand Craft Shop remained in downtown Asheville until 1981 when it was relocated to the Blue Ridge Parkway, inside the newly built Folk Art Center, of the Southern Highland Craft Guild.

Then, the same as today, there was a community of people working to teach, preserve, advocate for, and promote arts and crafts.   Those that come to mind include: Lucy Morgan, Eleanor Vance, Charlotte Yale, Edith Vanderbilt, Olive Dame Campbell, Louise Pittman, Clementine Douglas - each playing  part in the legacy of craft in the greater Asheville region.

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